Search This Blog

Sunday, October 13, 2013

Micro

By Michael Crichton and Richard Preston
            Micro is Michael Crichton’s final novel, due to his unfortunate death from throat cancer in 2008.  This is the second posthumous novel released, and was actually only about 1/3 completed at the time of his death.  Richard Preston was selected to complete the novel based on Crichton’s extensive notes and research.
             The novel begins by introducing us to a group of graduate students in various areas of study.  Their studies include venomology, toxicology, and arachnology. Nanigen industries visits the group while they toil in obscurity in Cambridge, Massachusetts.  One of the Nanigen recruiters also happens to be the brother of Peter, one of the graduate students.  The lure of industry is too much for the lowly graduate students, and they decide to go check out the Nanigen facility.  The day before the students are set to travel to interview at Nanigen, Peter gets a phone call that his brother has been killed in a boating accident. 
            The cadre of grad students head to Hawaii to visit the Nanigen labs.  They learn that Nanigen is using unique and innovative technology to mine the environment in search of novel compounds for medicinal use.  Their trip soon takes a turn for the worse as they realize what a narcissistic maniac the President, Vin Drake, is.  Peter believes that Vin is responsible for his brother’s death, and soon all the graduate students have a much bigger (pun intended) problem to deal with.  Subjected to the company’s technology, the students must use their particular area of expertise to survive the wilderness in a way that they never thought they would have to experience. 
            Like many times when an artist dies, their fans are left wanting more.  When musicians die, we are treated to previously unreleased tracks or live recordings.  Typically these works of art require some touching up or interpretation, but in order to be released they need to be mostly completed.  I would equate this book to not just remastering some rough tracks to complete a song, but rather redubbing guitar solos, rerecording imperfect vocals with an impersonator, and even rewriting the chorus.  It’s as if your favorite artist wrote three to five lines of a song and the rest was completed by someone else.  This is not a knock on Richard Preston, but I couldn’t help but think of Crichton like Terry Kiser in Weekend at Bernie’s.  The change in authorship was palpable, and it just didn’t really seem like a typical Crichton novel. All the familiar Crichton themes (opposition of morality and science, fear about progressing technology etc) were present, but the remainder of the book lacked the significant and sound scientific thought that Crichton’s books typically present.  Unfortunately, Preston can’t hold a candle to the intellect of Crichton.  Unless you can separate the two authors, I would avoid this book if you wish to not tarnish the reputation of the late Michael Crichton.  The book wasn’t terrible overall; it just really should not be published with Crichton’s name.

Rating: 2.5 out of 5 Bunsen Burners

Up Next: Coma by Robin Cook


No comments:

Post a Comment